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Sisters of the Immaculate Conception Marching for Freedom. 1965. 
Oil on canvas, 38x70" - New York University
 

Sisters of the Immaculate Conception moved to included important women as the subjects of her work, which would lead to works of Marilyn Monroe and numerous goddess paintings and scultpures. This was patined from a news photograph, and Flack was one of the few artists in the 1960's to paint politically and socially minded works such as this (Gouma-Peterson 55-56). 

This painting depicts an incident of the Civil Rights Movement in which nuns led and tried to protect black protesters by walking with them in a freedom march. It is a frontal work, a style that implies the unstoppable advance of the crowd. They look about to burst out of the painting. Flack uses a wide range of shadows, blakcs and whites in Sisters of the Immaculate Conception, leading her to greater use of color in future works (Flack 22).

It seems apparent to me that Flack had a lot of respect for these religiously devout women devoted to social change. The workdepicts determined emotion - there is still fear on the women’s faces, but they are pushing onward.