ArtH 3291 Portraiture

Prof. Dabbs

Spring 2017

SLIDE REVIEW LIST FOR EXAM 3  (now scheduled for Tues. April 25)

 

Self-portraits:   

 

   [did some early history of self-portraits; won’t have to know those images]

 

 Embedded self-portraits:

    Ghiberti, Gates of Paradise (with self-portrait detail), c.1450

 

    Botticelli, Adoration of the Magi, 1475

 

    Michelangelo, Florentine Pietá, 1550

 

Autonomous self-portraits:

    Parmigianino, Self-portrait in Convex Mirror, 1524

  

    Sofonisba Anguissola, Self-portrait with Painting of the Virgin & Child, 1556

 

For historical background on the collection of self-portraits:  engraving of Medici self-portrait collection, 18th century [won’t have to know this image, however]

 

    Rosalba Carriera, Self-portrait with Portrait of Her Sister, 1715

 

   Carriera, Self-portrait as Tragedy, c.1746

 

   Carracci, Self-portrait on Easel, c. 1604

 

    Rembrandt van Rijn:

         

Self-portrait with two circles, 1661/65 

 

   

Terms:  meta-painting

 

 

Friendship Portraits:

          Raphael, Self-portrait with Friend, c.1519

 

          Van Dyck, Sir Endymion Porter & Van Dyck, c1635  [this link to the Prado museum describes the painting – there was a question about the rock at the bottom]

 

          Anguissola, Bernardo Campi Painting Sofonisba Anguissola, c.1550

 

          Van Dyck, Thomas Killigrew and friend (William, Lord Croft?), 1638

 

          Van Dyck, Anne Kirke and Elizabeth Villiers, 1630s

         

         

[dropped]  Holbein, The Ambassadors, 1533

 

 

 

Marriage Portraits/Portraits of Couples

 

van Eyck, Giovanni Arnolfini and his Bride, 1434

 

Lippi, Portrait of a Woman and Man at a Casement, 1440   [Met Museum background info]

 

 Piero della Francesca, Battista Sforza and Federico da Montefeltro, c.1472

 

[added] Holbein, Sir Henry Guildford & Lady Guildford, 1527 

              [although conceived of and created as pendants, the portraits are now “divorced”, residing is different museum collections]

 

 Hals, Stephanus Geraerdts & Isabella Coymans, c.1650

 

 Lotto, Messer Marsilio & his Bride, 1523

 

 Hals, Married Couple in a Garden, c.1622

 

Rubens, Self-portrait with his Wife (Isabella Brant) Under the Honeysuckle, c.1609

 

Van Dyck, Sir George Villiers and Lady Katherine Manners as Venus & Adonis, c.1620

 

 

Terms:  diptych;  pendants

 

 

   “All in the Family” (Family Portraits)

 

 L. Fontana, Family Portrait, c.1580 

 

 Titian, Madonna of the Pesaro Family, 1519

 

 Bronzino, Eleanora of Toledo & her son Giovanni, 1545

 

 Hals, Family Portrait, c.1635

 

 Rubens, Self-portrait with Wife Helena & Son Peter Paul, c. 1639

 

 Nocret, Family of Louis XIV, 1670  [cursor over figures to find out who’s who!]

 

[dropped] van Dyck, Suffer Little Children to Come Unto Me, 1620

[dropped]  Pontormo, Maria Salviati and Giulia de’ Medici, c. 1538

 

terms:  historiated portrait  [term dropped] 

 

For fun:  Awkward Family Photos website       

 

 

Portraying Children

 Fontana, Portrait of a Newborn in Cradle, c.1583     

 

  Desiderio da Settignano,  Bust of a Little Boy, 1455  [it’s ok just to memorize “Desiderio” for artist name]

 

  Desiderio da Settignano, Laughing Boy, 1453

 

   Holbein, Edward VI, Prince of Wales, c1539

 

   Velazquez, Infante Philip Prosper, 1659

 

   Titian, Clarissa Strozzi, 1542

 

 

[dropped] Bronzino, Bia de’ Medici, c.1540

 

 [dropped] Bronzino, Giovanni de’ Medici at 18 months, 1545        

 

 

GROUP PORTRAITS  [this section has been dropped]

 

 

   PEOPLE AND THEIR PETS/  PORTRAITS OF ANIMALS 

 

 Pontormo, Lady in a Red Dress, 1532 [don’t have to know, just saw briefly]

 

 Cranach, Henry the Pious and his wife, Katharina, 1514  [don’t have to know, just saw briefly; for gender distinctions]

 

 Titian, Federico Gonzaga, 1530

 

  Leonardo da Vinci, Cecilia Gallerani, c.1484

 

[added]  Guercino, Dog of the Aldrovandi Family, c.1625

 

 [saw, but don’t have to know]  Stubbs, Poodle in a Punt, c.1780  

 

 Giulio Romano, Morel Favorito  from the Sala dei Cavalli (Room of the Horses), Palazzo del Te

                    Here’s a website with more images, info & virtual tour!

 

  Stubbs, Whistlejacket, c1762

       Compared to Stubbs, Hambletonian Getting Rubbed Down, 1799  [won’t have to ID this one]

 

  [dropped]  Copley, Boy with Squirrel, 1765  [boy’s name: Henry Pelham]

 

Sources:  della Porta, De Humana Physiognomia, 1586  (don’t have to know images)

 

Fun website: “Celebrities and Their Dogs”

                                                           

   

 Portraits of the “Other”   

 

  Carracci, Hairy Harry, Mad Peter, and Amon the Dwarf, c.1600

        [in palace of Cardinal Farnese, Rome]

 

  Fontana, Portrait of Antoinetta Gonzalez, 1590s 

 

  Velazquez, Sebastián de Morra, c. 1645

 

 [dropped] Velazquez, Prince Baltasar Carlos with a Dwarf, 1631

 

 [dropped] Velazquez, “El Primo” (Don Diego de Acedo), c. 1636-38

  

 [dropped]  Ribera, Magdalena Ventura with Her Husband and Son, 1631

 

 [dropped] Leonardo da Vinci, Grotesque Heads, c. 1500

 

  [dropped] Fontana, Portrait of a Hairy Girl, c.1595

               [Francesca Gonzalez]

 

 

Essay Question (worth 30 pts) for last exam [this can be done as a take-home; typed, double-spaced would be preferred;

   expectation: approx. 2-3 pgs]   *You can either turn this essay in at the time of the exam, OR anytime Friday April 28 (hardcopy)

 

    TOPIC:  “An Early Modern Portrait of Myself  [note, not a self-portrait!]

 

          Imagine a portrait done of yourself, but based on conventions [i.e., traditional modes of representation] that we’ve

     discussed in the course (do not limit yourself to the last third of the course, this can encompass everything we’ve

     seen from day 1).  What artist would you have represent you, and why?  What might that portrait look like? (with others,

     or alone?  Setting?  Format?  Medium?  Pose?  Symbolism?  Attire? ) and anything else that pertains.

     Please EXPLAIN why you would want these elements (they should reveal something about who you are, here and now),

    use appropriate portrait/art history terminology, and connect to/describe specific early modern portraits (by artist/title) to explain your choices.

 

 

------------------------------- final update made, 4/20/2017 -------------------------------------------------------------------